Manuscript Format
by Chuck Rothman
Over the years, publishers have developed certain
standards to make their jobs easier. Manuscript format is one of them,
and something that often creates some heated discussion in various
newsgroups. There are several points that you need to remember:
- The standards are there for a reason. They are not arbitrary and
are generally set up to make certain jobs easier.
- It's not your job to design the manuscript. You supply the
words; the publisher supplies the format.
- You don't have to stick to the format except in the final
version. If you prefer something else in your drafts, fine. It's
simple to change the font once you're printing out the final
version.
- The wrong format or font won't destroy your chances; it may not
even hurt. It a question of whether you're willing to take the
chance that you're writing is good enough to overcome the
difficulties you'll cause by not doing things properly.
- As a personal aside, I've noticed the people who fight hardest
against the standard format usually end up using Times Roman instead
-- which, on most computers, is the default font that comes up
automatically. Hard to believe they've put much thought into their
choice.
That stated, here are the rules for standard format:
- Manuscripts must be typed, double-spaced, on one side of the
paper, with wide enough margins (min. 1-in.) for the editor to make
notations.
- Fonts (and here's where the fights occur): The preference is for
monospaced fonts -- fonts where all letters are the same width. The
most commonly used monospaced font is Courier; the most commonly
preferred size is 12 points (also called 10 pitch -- 10 characters
to the inch). This is a hangover from the days before computers,
when most typewriters used what was known as "Pica" type --
essentially 12 point Courier. It is also acceptable to use a
10-point monospaced font like Prestige Elite -- again, a hangover
from typewriter days, when you could buy "Elite" typewriters that
used 10-point (12 pitch-- I know, it's confusing) Prestige. The
actual font is less important (as long as it's large and dark
enough) as the fact that it must be monospaced; proportional fonts
screw up word counts.
- No fancy formatting within the manuscript. Indent each paragraph
five spaces (1/2 in.). Indicate italics by underlining (do not use
italics; they are easily missed). Indicate boldface by drawing a
wavy line beneath the text and writing "bf" in a circle in the
margin. Do not hyphenate words (the typesetter will include the
hyphen so the word might read "Schenec-tady"). Do not right justify
the text (you may like it, but it's harder to read -- especially on
long paragraphs -- and it messes up word counts).
- Indicate a blank line by placing a # in the center of the line.
The # indicates space to a typesetter.
- At the top of the first page, type your name (the one you want
them to write the checks out to) and address at the upper left
corner. Type the word count at the upper right corner Skip down to
the middle of the page. Type the title of the story, centered
(optionally: ALL CAPS). Go down a line. Type "by Your Name" (if you
want to use a pen name, type it here; the check will be sent to the
name at the upper left). Go down another line and begin the story.
- Don't put on a copyright notice. It's
unnecessary. You also don't have to indicate the rights offered.
Most magazines tell you what they're buying; if you don't like it,
don't submit to them. Don't write "Approximately" by the word count.
Editors know the word count is approximate.
- On each additional page, put your last name and the page number
in the upper right corner: Name/2
You can also include a keyword from the title of the story:
Name/Keyword/2, but this is optional -- it's rare that you have two
manuscripts in a position when they can be mixed up, and if at the
last minute you decide to retitle your novel, you only have to
change the title page instead of printing out the entire thing with
the correct keyword.
- At the end of the story, center the word "end".
Here's a
further discussion.
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