Dragon's Treasure
Elizabeth Lynn
Tor UK, 329 pages
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Billed as a sequel to Dragon’s Winter,
Elizabeth A. Lynn’s new novel, Dragon’s Treasure, is
actually an expansion of the events depicted in the brief final section
of the
previous book (a conclusion that struck me at the time as being
somewhat awkward,
too long
and eventful for an epilogue, not dramatic enough for a secondary
climax, dissipating
the fine tension of the epic tale that preceded it).
Dragonlord Karadur Atani, having warred with
his sorcerer
brother Tenjiro to regain the dragon birthright that Tenjiro stole,
finds
himself uneasy in the peace that follows. Of all the shapechangers in
the world--hawk
and bear and wolf, all settled among their own kin and kind--only
Dragon is
alone. Karadur longs for others like himself, or, if they are not to be
found, for
a woman through whom he can pass on his blood. His choice to marry
would be
welcomed by all his household, except, perhaps, his long-time lover,
the
crippled bard Azil Aumson.
When one of Karadur’s tenant farmers is
murdered by a bandit
band, Karadur, with his Dragon temper, takes a terrible revenge,
summoning
Dragon fire to burn the bandits’ stronghold and everyone in it. Two
survive:
healer Maia Unamira diSorvino, and her half-brother Treion, leader of
the bandits
(Treion, unbeknownst to Karadur, may be Karadur’s bastard brother).
Maia
flees to
the house her mother once lived in, which stands on Karadur’s land.
There, the
hermit’s life she wants to lead is interrupted by a chance encounter
with
Karadur; each knows the other's identity, but even so a spark is
kindled
between
them. Meanwhile, Treion and his outlaw followers make their way south,
robbing
and murdering; at last their atrocities go too far, and Treion is
captured and
given into Karadur’s hands. Treion expects death, but Karadur, who
knows that
Maia loves her brother, has different plans. As these unfold, Azil, who
sees
the growing bond between Karadur and Maia and knows where it must lead,
decides
upon a fateful course of action.
Lynn
brings her
complex characters to life in fluid, sparing prose, vividly evoking
Karadur’s
loneliness, the tranquility Maia finds in exile, Treion’s despair and
anger,
Azil’s growing sadness. Settings are exquisitely depicted: the
bee-buzzing
meadows around Maia’s cottage, the great city of Ujo,
the stark grandeur of Karadur’s mountainous domain. The threads of plot
that
bind these lovely images together are loose and light, sometimes
knotting into
dramatic confrontations but often vanishing entirely as Lynn explores
odd corners
of her world and of her characters’ personal experiences. In this I’m
reminded
of Ursula Le Guin’s The Other Wind, with its emphasis on the
mundane concerns and small details of daily life. But in The Other
Wind this was meant to serve as a counterpoint to the epic story, a
reminder that the minutiae of ordinary life are as vital a part of the
world as
the heroic events that surround them. Despite moments of drama in Dragon’s
Treasure, and classic epic elements like Treion’s
quest for revenge against the man who dishonored his mother, that sort
of overarching
mythic plotline is absent from Dragon’s Treasure. The
ultimate impression is less of a high fantasy novel than of a series of
jewel-like cameos in a high fantasy setting.
Though assuming events from the previous
novel, and following many of the same characters--including Hawk the
warrior and Shem the wolf-boy--this
sequel is self-contained enough to be read on its own. The ending
brings resolution, but an open one, suggesting that at least one
more book
could follow. I hope so. This may not be a novel of great deeds or
startling
adventure, but its very quietness is something to savor, and both the
world and
the characters--as well as Lynn’s
beautiful writing--are well worth revisiting.
Copyright © 2004
Victoria Strauss
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